'Masks' course transcends traditional theater creativity
by Becky Gilbert

Jerald D. Pope, adjunct professor of theater, teaches a Masks and Makeup class that is not only educational, inspirational, and artistic, but transcends the normal theater experience by transforming students into various characters utilizing makeup and masks. The class emphasizes the importance of historic masks and makeup in the development of theater.

Masks in the Noh theater and the highly stylized makeup used by the Kabuki and Kathakali theaters are examined.

“Although some dramas use masks and some use makeup, there are similarities that cannot be denied,” states Pope. “In these art forms, the use of masks or the use of makeup are used in a way of transforming the performers into the character that they are about to portray. It is a spiritual change rather than a change in attitude.”

Both of these theatrical art forms dictate the movement style of the actor. The simpler stylized masks and makeup offer a character with more refinement.

Mask making evolved from the desire and need to have a more permanent means of identifying the characters; one which would retain the basic characteristics and features, and be easily recognized. Makeup was used primarily before the invention of the mask, but the making of masks is an art form that dates back to the very beginnings of theater.

“In order for performers to become the characters they portray, the way they use masks or makeup is an essential part of the performance as a whole,” Pope explained.

The art of mask making and applying costume makeup has been integral to the beginning of the theater and still remains a fascinating process. Transcending the normal, going “beyond the laugh,” and finding the “exciting side,” is both an ancient and contemporary art form. With this class Pope creates alchemy for his students. The class is highly recommended for students interested in History, Art, and Theater.